Scripts: Psycho (revised draft, 01/Dec/1959) This version of the script for Psycho (1960), dated 01/Dec/1959, has been split over 8 pages: EXT. PHOENIX, ARIZONA - (DAY) - HELICOPTER SHOT; EXT. MAIN STREET IN MIDTOWN PHOENIX - (DAY). The script is.

FADE IN: EXT. PHOENIX, - (DAY) - SHOT Above of the city. It is afternoon, a hot mid-summer day. Testi i situacionnie zadachi po farmakognozii. The city is sun-sunblanched and its drifted-up are in own echoes. We fly low, in a direction, over traffic-clogged streets, lots, business buildings, districts. As we approach section, the of the city begins to change. It is and with age and industry.

We see tracks, smokestacks, fruit-and- vegetable markets, old buildings, lots. Vegetable The very to give us a of nefariousness, of back-doorness, dark and shadowy. We fly and now, as if out a specific location. A skinny, high old into view. On its exposed side 'Transients- Low Rates-Radio in Room.' We long enough to the of this hotel.

Its open, curtainless windows, its look so characteristic of such hole-and-corner hotels. We move forward with and-toward a window. The sash is raised as high as it can go, but the is down to three or four of the sill, as if the occupants of the room but air. We are close now, so that only the half of the frame is in shot. No come from the room.

Alundra rom deutsch free. Lars tells Alundra to travel to Inoa and stop the demon. After talking with Lars about humans and the 'Releaser', Melzas disappears.

Suddenly, we tip downward, go to the between shade and sill, peep into the room. A is out on the bed. She wears a full slip, stockings, no shoes. She lies in and attitude of relaxation, but her face, seen in the of the room, a inner-tension, worrisome conflicts.

She is CRANE, an tension, girl nearing the end of her and her rope. A man the bed, only the half of his figure visible. We hold on this for a long moment, then start forward.

As we pass the shade, CUT TO: INT. - (DAY) A room, a slow fan on a the narrow bed.

A card of is on the the bureau. An and a woman's large, open- top are on the bureau. On the the bed are a of Coco- Cola and an unwrapped, egg-salad sandwich. There is no radio.

The man by the bed, only trousers, T-shirt and sox, is LOOMIS, a good-looking, man with warm eyes and a smile. He is blotting his neck and face with a thin towel, and is down at Mary, a his mouth. Mary keeps her face away from him.

After a moment, Sam the towel, sits on the bed, leans over and Mary into his arms, her long and warmly, holds her with a firm possessiveness. The kiss is disturbed and by the of an inconsiderate fly. Sam smiles, away to allow Mary to the pillow. He her, frowns at her unresponsiveness, then in a low, intimate, playful voice. SAM: Never did eat your lunch, did you. Mary at his smile, has to respond, him to her, kisses him.

Then, and the kiss, she swings her legs over the side of the bed, toe-searches around, finds her shoes, her feet into them. And finally pulls away and sits up.

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American Psycho Script Resources: • American Psycho Transcript at • American Psycho Script - November 1998 Forth Draft at • American Psycho Script PDF - NO DFT DATE at ($) • American Psycho Script PDF - Latest Draft at ($) • American Psycho Script PDF - (EARLY) 3/24/96 4TH. At ($) • American Psycho Script - June 1998 Unproduced at • American Psycho Transcript at • American Psycho Script at • American Psycho Script - Fourth Draft, November at Note: Multiple links are listed since (a) different versions exist and (b) many scripts posted become unavailable over time. Please notify me if you encounter a stale link. Other Links: • American Psycho ( tt0144084 ) at • American Psycho ( 1359 ) at 3831 January 16, 2016 Tags,,.