Chick Webb & Ella Fitzgerald: The Complete Chick Webb & Ella Fitzgerald Decca Sessions (1934-1941) This eight-disc collection, spanning 187 tracks and a dozen years (stretching wider than the title suggests), can be appreciated on several levels.

This eight-disc collection, spanning 187 tracks and a dozen years (stretching wider than the title suggests), can be appreciated on several levels. First, there is drummer and bandleader Chick Webb, a remarkable figure who, the result of spinal tuberculosis, stood under 5 feet and hunchbacked but produced a giant sound. Twenty-five of the tracks included here are non-Fitzgerald sides, some from as early as 1929. Together they demonstrate that Webb fronted one of the era’s hottest outfits, vastly underappreciated but as worthy as Goodman’s or Dorsey’s. Then there’s the delight of listening to Ella blossom as a vocalist. She was just 17 when Webb plucked her from the Harlem streets, and sounds green as a sapling on the earliest of their shared sides.

As the years progress her confidence grows steadily, and early buds of what would become one of the most distinctive voices in jazz take shape. Yes, there were hits, most notably “A-Tisket, A-Tasket” and “(If You Can’t Sing It) You’ll Have to Swing It” (a.k.a. Paganini”), but her progression from diamond-in-the-rough to not-fully-polished gem is far more captivating. And there is Ella’s emergence as a bandleader after Webb’s death in 1939. Though the orchestra became insipidly sweet under her leadership, it’s a testament to her moxie that, at age 22, she was able to take command and was wise enough to know that her vocals needed to become the star attraction. Download slide a lama for pc. Finally, as expected from Mosaic, there’s the product’s unstinting quality: insightful notes by John McDonough, a detailed discography and, most important, superlative sound. Almost all of this material has been previously released on CD, but never so comprehensively or with such TLC.

• • • • • Website Ella Jane Fitzgerald (April 25, 1917 – June 15, 1996) was an American jazz singer sometimes referred to as the First Lady of Song, Queen of Jazz, and Lady Ella. She was noted for her purity of tone, impeccable diction, phrasing,, and a 'horn-like' improvisational ability, particularly in her. After a tumultuous adolescence, Fitzgerald found stability in musical success with the Orchestra, performing across the country but most often associated with the in Harlem. Fitzgerald's rendition of the nursery rhyme ' helped boost both her and Webb to national fame. After taking over the band when Webb died, Fitzgerald left it behind in 1942 to start her solo career. Her manager was Moe Gale, co-founder of the Savoy, until she turned the rest of her career over to, who founded to produce new records by Fitzgerald. With Verve she recorded some of her more widely noted works, particularly her interpretations of the.

While Fitzgerald appeared in movies and as a guest on popular television shows in the second half of the twentieth century, her musical collaborations with,, and were some of her most notable acts outside of her solo career. These partnerships produced some of her best-known songs such as ', ', ', and '.

In 1993, she ended her nearly 60-year career with her last public performance. Three years later, she died at the age of 79 after years of declining health. Her accolades included fourteen, the, and the.

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Contents • • • • • • • • • • • • • • Early life [ ] Fitzgerald was born on April 25, 1917, in Newport News, Virginia. She was the daughter of William Fitzgerald and Temperance 'Tempie' Henry. Her parents were unmarried but lived together for at least two and a half years after she was born. In the early 1920s, Fitzgerald's mother and her new partner, a Portuguese immigrant named Joseph Da Silva, moved to Yonkers, in Westchester County, New York, as part of the first of African Americans. Initially living in a single room, her mother and Da Silva soon found jobs. Her half-sister, Frances Da Silva, was born in 1923.

By 1925, Fitzgerald and her family had moved to nearby School Street, a poor Italian area. She began her formal education at the age of six and was an outstanding student, moving through a variety of schools before attending Benjamin Franklin Junior High School in 1929. Starting in third grade, Fitzgerald loved dancing and admired. She performed for her peers on the way to school and at lunchtime. She and her family were and were active in the Bethany. She regularly attended worship services, Bible study, and Sunday school. The church provided Fitzgerald with her earliest experiences in music.