The Z1 is like a polyphonic housed in a full sized and featured workstation-like casing! It does all the analog sounds and more. This is a great analog modeling synth with 12-voice polyphony, thirteen waveforms, four LFOs, two resonant filters, two effects units and more. The ability to create unique sounds is endless.

The Korg implementation can, and in my opinion, does this well which is why many folks really like the electromechanical keyboard sounds. 5 people found this helpful. Comment Report abuse. See all 13 reviews. Write a customer review. Set up an Amazon Giveaway. Korg Grandstage 88 Digital Stage Piano, New Korg's top-of-the-line stage piano gives you 500 gig-worthy sounds -- gorgeous pianos, EPs, organs and more -- and 88 weighted keys to bring them to life.

The factory patches could use some help, but overall the sound is very nice! It has a fully polyphonic arpeggiator that blows all others away. It has five preset arpeggio patterns and fifteen user patterns. Unfortunately there is no on-board sequencer.

There is incredible real-time control available with knobs to control the two resonant filters, and a touch controlled 'XY' pad for tweaking patches in real-time. The Z1 is used by KMFDM, Gary Numan, LTJ Bukem and Orbital. Related Forum Topics.

Korg Grandstage 88 Digital Stage PianoSound engines that reach the apex of perfection. The Korg Grandstage is equipped with seven powerful sound engines that make it worthy of being called the ultimate stage piano. SGX-2: Six acoustic pianosContaining a stupendous amount of piano sound from top-level instruments worldwide, the SGX-2 acoustic piano sound engine is what makes the Grandstage worthy of the term 'ultimate.' The grand piano sounds were lavishly captured using instruments from Germany/Heidelberg, Germany/Berlin, Austria, Japan, as well as a newly sampled Italian grand piano.

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These five grand pianos are considered world-leading classics, and now they are available to you in an unparalleled playing experience. In addition, the Grandstage also provides a newly sampled upright piano sound, featuring a character that is different than the spacious and brilliant grand piano sounds, and possessing its own refinement and depth. These SGX-2 sound engines contain high-capacity unlooped stereo samples for every key, and use up to 12 levels of velocity switching to perfectly convey the detailed and powerful expressiveness of an acoustic piano, extending to damper resonance that reproduces the spaciousness that is felt when the pedal is pressed, and even mechanical noise. Responding to the requests of numerous professional players, the Grandstage also provides monaural piano sounds for all of these acoustic piano programs. These monaural piano sounds were voiced not from a mono mix of stereo samples but from monaurally recorded sources, and will shine clearly even within a band's mix.

EP-1: Six vintage electric pianosThe EP-1 electric piano sound engine contains a total of six vintage electric piano sounds: the classic I, II, V, and DMP models of instruments that generate sound by striking a metal tine, and the 200 and 200A models of instruments based on vibrating reeds. MDS (Multi-Dimensional Synthesis) technology delivers a further evolution of the concept of velocity switching, smoothly responding even to subtle changes in your keyboard dynamics. Realistically-reproduced amps, cabinets, speakers, and vintage effects add the finishing touches to these impeccable simulations. CX-3, VOX, and Compact: Three organs with personalityThree different organ sounds are provided. The CX-3 tonewheel organ sound engine is a complete reproduction of KORG's classic combo organ that went on sale in 1980. The newly designed VOX transistor organ sound engine reproduces the sound of the VOX organ that went on sale in 1960 and had such a great impact on popular music in Europe and the US.